Friday, January 25, 2008

El Cid...and her favorite musical piece...


El Cid...better known as my mother loved this musical work of art. She played this daily for years...and I would learn to love it as well...



I thought of this today, because I heard this on the way to the store...and it took me back to my youth...my mother...and her love of this...Scheherazade...

I think I love this symphony...not only because of the haunting melody...but because of the poetic meaning...Meaning? Well...yes of course.

Scheherazade (IPA: /ʃəˌhɛrəˈzɑːd, -ˈzɑːdə/), sometimes Scheherazadea, Persian transliteration Shahrazad or Shahrzād (Persian: شهرزاد Šahrzād) is a legendary Persian queen and the storyteller of The Book of One Thousand and One Nights.

The famous tale goes that every day Shahryar (Persian: شهريار or "king") would marry a new virgin, and every day he would send yesterday's wife to be beheaded. This was done in anger, having found out that his first wife was betraying him. He had killed three thousand such women by the time he was introduced to Scheherazade, the vizier's daughter.

In Sir Richard F. Burton's translation of The Nights, Shahrazad was described in this way:

"[Shahrazad] had perused the books, annals and legends of preceding Kings, and the stories, examples and instances of by gone men and things; indeed it was said that she had collected a thousand books of histories relating to antique races and departed rulers. She had perused the works of the poets and knew them by heart; she had studied philosophy and the sciences, arts and accomplishments; and she was pleasant and polite, wise and witty, well read and well bred."

Against her father's protestations, Scheherazade volunteered to spend one night with the King. Once in the King's chambers, Scheherazade asked if she might bid one last farewell to her beloved sister, Dunyazad, who had secretly been prepared to ask Scheherazade to tell a story during the long night. The King lay awake and listened with awe to Scheherazade's first story and asked for another, but Scheherazade said there was not time as dawn was breaking, and regretfully so, as the next story was even more exciting.

And so the King kept Scheherazade alive as he eagerly anticipated each new story, until, one thousand and one adventurous nights, and three sons later, the King had not only been entertained but wisely educated in morality and kindness by Scheherazade who became his Queen.

The nucleus of these stories is formed by an old Persian book called Hezar-afsana or the "Thousand Myths" (Persian: هزارافسانه).

you see...myth, legend...and music...all go together...

Love,
the Lass

oh...and one more thing...

Scheherazade shows her true genius in the final movement, "The Festival at Baghdad; The Sea; Shipwreck on a Rock; Conclusion." The music begins with an impatient Sultan, his theme hurriedly coaxing Scheherazade to finish the story. He can barely contain himself by this point, in his excitement to hear what happens next. Each morning, when the executioner has arrived at his door, the Sultan has sent him away, saying "Come back tomorrow," so that Scheherazade can continue her tale.

She continues to spin her tales of wonder while gradually bringing in every theme from the previous movements, deftly tying everything together. By this time, the Sultan has forgotten to tell the executioner to return the next day. We hear his low voice at the end, finally subdued and tamed by Scheherazade...

Let that be a lesson...to Sultans and men of bits and bytes...

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